Emilie autumn4/8/2023 They created that as part of the story, and I recorded it myself in my own studio and thinking, “How am I supposed to bring this thing to life? Like, how do I make it so she is not all bad?” She’s kind of a bitch, scornful, she’s looking down on everybody, in this case, for kind of a good reason. That was all them that was all Terrance and Saar Hendelman, his writing partner. It was a bit of a concern to think, “I just signed on and I will do this and have no idea what you guys are going to make me sing.” That was just complete trust knowing that we had become friends and if there was anything like, “I’m sorry, I can’t do that,” we could have talked about it. The thing is that I never do anything almost ever that isn’t completely 100 percent mine. It’s not my style of writing, which was kind of a huge concern for me. I played my classical violin on a lot of the songs to provide the music and then for that song, I didn’t write it at all. Now, thinking about the song “Prick! Goes The Scorpion’s Tail,” did you receive any help in writing that by the makers of The Devil’s Carnival, or was that all you? It’s like the ultimate question, “Who is really crazy here?” because a lot of the time it’s not the ones behind the bars. It’s like everybody gathers all about and are questioning who really is the bad guy here, because it’s often not who you think-the devil isn’t always the devil-and that again was a really similar thing to the sort of mission that I am on in my own little world that I have created. It’s a very restrictive world, it’s kind of the opposite of the mayhem that goes down below, and it’s kind of a political hierarchy of things that are not so pleasant. You understand hell better because that is what we are really fighting. I can tell you that a lot of it takes place in heaven. I can tell you a bit, hopefully without getting in trouble, and if I do get in trouble, apologies. I would be bald by the end of this so not worth it.Ĭan you speak about what happens in the second installment of The Devil’s Carnival? The only reason I kept it this way is because shortly after this tour ends, we are starting to shoot episode two of The Devil’s Carnival, which is why I didn’t want to go back to red and bleach it again. There was a year that we were just working together and just talking about how exciting this was going to be, what we are going to do with this, what she is going to look like… It wasn’t a set thing what her hair color would be until pretty much the day that we started shooting and I went and got my traditionally very red hair completely bleached out. Being the first person to sign on means I knew about it the longest. Now, for the character, quite a lot, because I didn’t know this at the time (pauses), but it turns out at the time that I was the first person who signed on for the project and I was the only one they had in mind for that part (laughs). This is all encompassing, this is where we live, so it was the same type of situation. Not just go to and leave like The Asylum For Wayward Victorian Girls. It also seemed that they were doing something similar to what I am attempting, which is to create a complete reality that people can come in and be a part of and not just live inside. I was drawn to the project mainly because I became good friends with Darren Lynn Bousman and, who created it. What part of the story drew you in so you would agree to be a part of it, and how much input were you able to give on what your character, the Painted Doll, was able to give? You recently appeared in The Devil’s Carnival. She recently chatted with The Aquarian to talk about Fight Like A Girl, her appearance in the 2012 film The Devil’s Carnival, touring, and more. 27 for a co-headlining date with The Birthday Massacre. Her most recent album, Fight Like A Girl, has shaped up to be the biggest and most important release of her career, appearing on her new label, The Asylum Emporium.Īutumn will be appearing at New York City’s Irving Plaza on Nov. Emilie Autumn is a gothic industrial violinist and singer-songwriter.
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